Ordered by what they contribute, not by date. Each record tells the real problem, the move and what stayed working.
By axis
By sector
An urn says that this person has died and says nothing else. If the ashes are incorporated into the printing material, the result stops being a container and can take a chosen shape. What is protected is the method, not the piece, so no catalogue exhausts the invention: the leap is in pieces anchored to a specific memory.
A complete identity for a hospitality project in Jerez: brand, signage, menu and table code system. From the name to the table.
«Wedding video» drags thirty years of digital zoom and a fee that gets negotiated down. Leaving that category was the real commission, and the way out was in the language: in Spanish, saying something is de cine means it is memorable. The name promises the feeling and delivers the format in the same three words, and the site does not describe a shoot, it behaves like one.
Nobody builds a warehouse just to put panels on it. In a cemetery the warehouse is already built: hectares of solid structures, all at the same height, with no shadows. A self-supporting frame that rests without drilling, with telescopic legs and adjustable tilt.
A thousand years of the Camino de Santiago taken to a whole continent, with BeatWay as the technology layer. Credential, stamps and community on the phone, without taking anything away from the pilgrim who just wants to walk: the technology does not replace the ritual, it backs it up.
The port lighthouse turned into the city interpretation centre, with an immersive audiovisual maze at its base.
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Seven spirits sealed in a 50 ml stick. In a bar, everything that happens between the bottle and the glass is invisible: the over-pour, the spill and the round on the house. The idea was not to make a smaller bottle, but to move the decision about the pour from the bar to the factory and change the unit the business counts in.
A century of cocktail history and Hispanic influence across six countries, told as a feature documentary. From research to release.
The official magazine of the Texas European Foundation. A specialist magazine lives two lives: the printed issue, where the prestige and the rates are, and the web edition, where the reach and the search engine are. Normally those are two workflows and two layouts, and by the third issue they no longer match. Solving that produced LayMatic, which prints exactly the same content it publishes.
Five hundred years of culinary diversity turned into an international candidacy to IGCAT for 2030.
A crematorium burns at a thousand degrees and sends that heat up the chimney. But the crematorium is not the market, it is the use case: a chimney venting hot gases belongs to a ceramics factory, an industrial bakery or any hotel with a boiler. A coil in the duct, steam, a turbine and a generator feeding the grid.
The initiative where it all started: exhibitions, publications and city twinnings instead of protocol events.
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A wall is only made by building it: that is why it cannot grow, cannot be moved, and can only look like what it is. Treating the niche as a loose piece gives you hexagons that clip together with no building work, and in a garden it stops looking like a cemetery.
IGCAT names world regions of gastronomy, and in the United States there was no structure able to put one forward. The brief was a website for one region, but one region on its own is not a model. So the umbrella came first: brand, public platform and a back-office where First Coast is region number one rather than the only one.
The problem with an urn is not where to put it, it is that everyone can see what it is. The ashes in a lower body closed with a screwed lid, and an ordinary pot on top. Those who know, know; those who do not, see a plant.
Every platform in the sector competes on holding more work than the one next door, and volume is got by lowering the bar. Here the model runs the other way: inside there is a single selection, chosen piece by piece, and the measure is not how many but whether the work deserves to be there. Selecting costs you every piece you leave out, and it is the one thing a competitor with scale cannot copy.
The American end of the bridge: the company that receives European firms and places them in the market. The concept, the brand identity and the ERP it runs on are ours.
The first stable institutional presence of the Picasso Birthplace Museum outside Europe. Museographic script, gallery floor plans in the Griffith Building, identity, bilingual website with its own editorial panel and the full sponsorship machinery.
Málaga's house in Austin during SXSW: where southern Europe's tech industry meets Texas. Brand, programme, materials and the official launch of the Casa Natal Picasso Málaga · Texas initiative.
A raised access floor manufacturer costed its jobs on a spreadsheet and drew the plans by hand. The brief was to digitise the spreadsheet, but the bottleneck was what the engineer knew and nobody had written down. Brand, sub-brand, bilingual site and an ERP where every line of a quote cites the rule that calculated it.
Big data and artificial intelligence applied to historical prosopography. A model for the Royal Academy of History.
A hundred years of sister city ties between the oldest city in the United States and the birthplace of its founder, turned into a registered trademark and two bilingual interpretive markers installed on the street in September 2024.
A transatlantic semiconductor alliance connecting Málaga Valley, Silicon Valley and Silicon Hills in a single industrial triangle, with specialised training, professional mobility, intellectual property protection and public-private collaboration.
Two thousand years of a town told in animated watercolour, from Roman Turrus to contemporary Torrox, with route video mapping, room applications and vertical pieces by era. Turnkey delivery.
A Málaga platform for creative industries and international outreach. Brand, narrative and its own site, independent from Málaga House even though they share territory and ambition.
A Dominican museum consultancy asked for a name and a logo. It was missing ground of its own, so instead of naming a company we named a discipline. The symbol was not added beside the word: it was already inside it, between the i and the k.
An institution created in 2014 to strengthen cultural, educational and technological ties across the Americas, funded by a patented product of its own.
Managed hosting and custom infrastructure explained without the small print. Repositioning, commercial narrative and a static bilingual corporate site replacing the previous WordPress.
After two thousand years of punching holes in paper to bind it, a magnetic clip that holds the set, lets you reorder it and leaves no mark. Registered as a utility model in Spain.
Brand, website and booking system for a live music company, with interactive experiences that put the audience inside the show.
This is not kebab. It is Iberian pork turning on a vertical spit, with a name, a filed trademark and a concept ready to replicate.
Turning tasting into competition and the cork into the game piece. Registered European trademark.
The memory of a fish market told by the people who lived it, with a 3D reconstruction and a room application.
Brand and shop network for Iberian produce, from Madrid to Nuremberg.
Database for the General Subdirectorate for the Protection of Historical Heritage.
Marcia Raff exhibition: script, labels, gallery vinyls, route and catalogue.
International olive brand for export.
These are not studio or portfolio awards. They belong to the pieces, granted by juries in film, archives and communications.